{"id":1706,"date":"2010-10-17T01:44:04","date_gmt":"2010-10-17T01:44:04","guid":{"rendered":"http:\/\/thetravellerslastjourney.com\/shai\/2018\/11\/27\/893-revision-v1\/"},"modified":"2019-09-26T09:41:11","modified_gmt":"2019-09-26T09:41:11","slug":"the-writing-of-the-god","status":"publish","type":"post","link":"https:\/\/thetravellerslastjourney.com\/shai\/2010\/10\/17\/the-writing-of-the-god\/","title":{"rendered":"The Writing of the God"},"content":{"rendered":"

Editorial notes<\/strong>:
\nThis is Shai’s first dedicated write-up relating to Jorge Luis Borges. Borges is referenced in two earlier essays and between Jan 2010 and Nov 2017 is referenced by Shai 17 times<\/a>.<\/em><\/span><\/p>\n

The Writing of the God<\/i>\u00a0(Spanish:\u00a0La Escritura del Dios<\/i>; also sometimes entitled\u00a0The God’s Script<\/i>) is a short story by\u00a0Jorge Luis Borges<\/a>. It first appeared in Borges’ short story collection\u00a0The Aleph<\/i>\u00a0(El Aleph<\/i>) in\u00a01949.<\/p>\n

Summary<\/h4>\n

A magician has been a prisoner in a cell for many years. The cell is bisected by a wall made of bars, on the other side of which sits a jaguar. Once a day the ceiling is opened, so as to feed the two prisoners, and for a moment light enters the cell and the man can see the jaguar. He comes to realize that the pattern of the animal’s coat must, in fact, be a message written by god. Every day the light is let into the cell momentarily, and every day he studies the jaguar, trying to discover what God is telling\u00a0him<\/a>.<\/p>\n

I considered that in the language of a god every word would enunciate that infinite concatenation of facts, and not in an implicit but in an explicit manner, and that not progressively but instantaneously.\u00a0The Writing of God<\/i>\u00a0translation from\u00a0Labyrinths<\/a><\/i>\u00a0(1962)<\/small><\/small><\/p><\/blockquote>\n

In a single instant, he comprehends everything, but in learning everything he loses himself.<\/p>\n

Re-revealing the Jaguar: Borges on Aesthetics (a mini-essay)<\/h3>\n

It is true that the jaguar is an\u00a0awe<\/a>some<\/a>\u00a0thing unto itself. But then why must the man be hidden from it? Could not the man have been walking home and seen the feline blocking its path? Is that which is terrifying not sufficiently\u00a0sublime<\/a>? Why was the man a prisoner? Why was the jaguar a prisoner?<\/p>\n

The final revelation is an\u00a0aesthetic<\/a>\u00a0one. To me this is obvious. To me, it is clear that that which we call god is actually beauty. The religious sometimes confuse this when they say that beauty resides outside the world. The humanist sometimes confuses this when they say that beauty is the world. We are all magicians trapped in cells, and life happens in flashes, like light opening up from above.<\/p>\n

It was necessary for Borges to make the man insensitive to the jaguar’s form, having spent so many years together with it. It was necessary for the man to re-discover the jaguar’s form. This is the aesthetic experience: re-discovering that which we already know, thus deifying the world and ourselves who are its creators.<\/p>\n","protected":false},"excerpt":{"rendered":"

Editorial notes: This is Shai’s first dedicated write-up relating to Jorge Luis Borges. Borges is referenced in two earlier essays and between Jan 2010 and Nov 2017 is referenced by Shai 17 times. The Writing of the God\u00a0(Spanish:\u00a0La Escritura del Dios; also sometimes entitled\u00a0The God’s Script) is a short story by\u00a0Jorge Luis Borges. It first […]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[159,198,204],"tags":[248],"metadata":[101],"class_list":["post-1706","post","type-post","status-publish","format-standard","hentry","category-all-posts","category-book-review","category-everything2","tag-borges","metadata-editor_notes"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack-related-posts":[{"id":2508,"url":"https:\/\/thetravellerslastjourney.com\/shai\/2013\/04\/22\/babel-box\/","url_meta":{"origin":1706,"position":0},"title":"Babel Box","author":"Pala","date":"April 22, 2013","format":false,"excerpt":"This is a box which has the ability to transform the nature of a book placed within it, in such a way that the audience (what may be considered the direction to which the author intends their ideas) is changed to a new, specific, target. 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